Alice Sebold’s The Almost Moon starts with a murder, a clumsy, unpremeditated affair that
happens almost naturally. It was easy, Helen Knightly tells us in the book’s first sentence:
“When all is said and done, killing my mother came easily.”
It’s a sentence that makes you want to read more. The book continues:
“Dementia, as it descends, has a way of revealing the core of the person affected by it. My
mother’s core was rotten like the brackish water at the bottom of a weeks-old vase of flowers. She
had been beautiful when my father met her and still capable of love when I became their
late-in-life child, but by the time she gazed up at me that day, none of this mattered.”
One paragraph in and it’s clear that you’re in for something special.
What follows that delicious opening is the story of how Helen came to kill her mother–the toll that Claire’s
mental illness took on the family over decades, its unexpected consequences, the mental abuse, the
exhausting intensity of Helen’s love-hate relationship with her mother. This back story is interspersed with
the continuing story of what’s going on in the present: what Helen does immediately after the murder
(whatever you’re thinking, you’re wrong), the eventual discovery of the body by outsiders.
That Helen commits murder so clumsily, with only the most amateurish attempt made to cover it up, is a
great strength of the book, I think. This is the sort of mess that a real person might make of matricide. And
while Helen’s behavior after the fact seems bizarre, that too lends the story credence. Who in such
circumstances would be fully sane?
While The Almost Moon is not a suspense novel per se, it is certainly suspenseful. What will become of
Helen, given the murder investigation and her own feelings of…not quite remorse, is never clear, not until
the book’s last page. And when it comes the ending is, really, just right. This one’s highly recommended.

-Reviewed By Debra Hamel from her great book-blog.com

Published  by Little Brown - 9780316067362 - paperback - $14.99

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